15 Jul 2014

Streets of Yangon I: monochrome scenes

During the last Songkran holidays I traveled to Yangon. It was my first visit to Myanmar, and it came as a last minute decision: me, along 3 friends, had just 3 days to spend together, and on a whim, we decided to fly to Myanmar's biggest city since it was near enough and the three of them, all Buddhist, were really interested in seeing the famous pagodas that populate the city, specially the renowned Shwedagon. I had heard numerous stories from friends that Myanmar is a rough while exciting country, but they all recommended going North, despising Yangon as a secondary destination not worth more than a night. We didn't have the luxury of a longer vacation, and considering our available time, traveling North was totally out of question, so we had to find things to do and see in the former capital for the whole length of our stay. I can say up front that we succeeded in our purpose, since Yangon is a city full of charms and magic and we deeply enjoyed all the experiences that we lived there.

The last drink, GM1 + Olympus M Zuiko 45mm
Night duties, GM1 + Olympus M Zuiko 45mm
Frying pose, GM1 + Olympus M Zuiko 45mm
We reached late in the evening from Bangkok, took a cheap taxi to our hotel, located right in the heart of the old quarters, and once we were ready to go out and start our exploration of the city it was already dark and we were increasingly hungry, thus our first stroll was along the small streets next to our hotel, in search of a place to have dinner. Despite the late hour and lack of sunshine, the streets were lively and full of people: vendors selling their goods and customers buying, some people cooking and some other eating, so it didn't take us long to choose a place and have our first taste of Burmese food: fried noodles with seafood. A couple of drinks later we returned to the hotel since all stalls were slowly closing and we felt tired. A brief first contact, but the following day would be much longer!

Streets of Yangon, GH3 + Lumix G X Vario 12-35mm
Avian colonisation, GH3 + Lumix G X Vario 12-35mm
Quiet alley, GH3 + Lumix G X Vario 12-35mm
The first thing you notice when you set foot in any of Yangon's streets, big or small, is how busy they are, how dusty, how noisy, how packed by traffic, people, dirt, and birds. Yangon, as many Asian cities, is a bustling hub, overpopulated and hyperactive, where the flow of things is dictated by basic needs and things are done in a beautifully unorganized manner; the streets are never empty nor lonely, and even under the fiercest sun, there are countless vendors displaying their merchandise directly on the floor or in humble baskets or tables to everyone passing by. From fruits to religious tokens to clothes to second hand gadgets, there is so much you can find along the streets that it is no surprise that there are not many shopping centers or malls in the city, since most people purchase everything they need in the streets.

Wicker and fruits, GH3 + Lumix G X Vario 12-35mm
Street market I, GH3 + Lumix G X Vario 12-35mm
Street market II, GH3 + Lumix G X Vario 12-35mm
Health insurance, GH3 + Lumix G X Vario 12-35mm
Different directions, GH3 + Lumix G X Vario 12-35mm
There are, however, a few indoor markets, though these tend to blend both the local businesses with the tourist-oriented stalls, full of the usual souvenir flavors, but don't be fooled, Yangon is no touristic city by any stretch of the imagination (at least not yet) if you compare it with the likes of Bangkok, Luang Prabang, Hanoi or even Kuala Lumpur, and the more you will encounter will be a few tourists taking pictures or drinking beer in the street bars at night. Yangon remains, as of today, mostly a local city, and tourism is only a minor (though increasing) presence.

Crowd I, GH3 + Lumix G X Vario 12-35mm
Crowd II, GH3 + Lumix G X Vario 12-35mm
While you walk leisurely along the streets of this big, chaotic and dirty city, you will come across multiple people and, more often than not, they will smile at you, curious and surprised at your skin color, greeting and welcoming you to their land without any second intentions. At least that's how I felt there, always welcomed and safe. The old, colonial district where we were located is probably one of the most interesting in the city for its mixture of European and Asian colors and the decay that shines everywhere, but we will leave that for a future post, since today I prefer to focus on the people: there are many poor and homeless people in Yangon, living in the streets, in small shacks or in the numerous abandoned buildings that spread across the whole city, there is garbage piled up in every corner, holes in the dusty roads, but there is also a decency in the way they carry on with their lives, making the most of their situation, and coexisting with the long, hard past that rests upon their shoulders.

Lonely walk, GH3 + Lumix G X Vario 12-35mm
Leaves and shadows, GH3 + Lumix G X Vario 12-35mm
Walkers, GM1 + Olympus M Zuiko 45mm
Daily departure, GH3 + Lumix G X Vario 12-35mm
The shadow of a long colonial past can be felt everywhere, as does the memory of a recent and oppressive regime, but the people of Yangon face the future with courage while carrying on with their old traditions at the same time, ignoring the effects of globalization to a great extent (though this is starting to change quickly since the country opened its frontiers a few years ago, which is already impacting the face of the city and even the life of its inhabitants); as you stroll around the city, you will soon see that most people still wear the traditional sarong skirts, even the younger and 'modern' generations, while the majority of women and kids dress their faces with thanaka paste.

Coordination, GH3 + Lumix G X Vario 12-35mm
Women's stroll, GH3 + Lumix G X Vario 12-35mm
Gambling gathering, GH3 + Lumix G X Vario 12-35mm
Dissemination, GH3 + Lumix G X Vario 12-35mm
Another thing that will quickly grab the attention of any foreign visitor is the surprising absence of motorbikes; Yangon is a city overflowing with old cars and rusty buses, but there are almost no motorcycles since the roads are not very well maintained and it would be too dangerous and risky for them; therefore, people must find other ways of transportation, but fear not, for they have plenty of ways to move around the city, either by the aforementioned cars, buses or taxis, simply walking, or using the 2 most common and energy-efficient ways of transportation of all: bicycles and rickshaws. Two and three wheel human powered vehicles are omnipresent in Yangon, and they serve multiple purposes: from the obvious one of transporting people, to carrying stuff to sleeping ground.

The carrier, GM1 + Olympus M Zuiko 45mm
Recess, GH3 + Lumix G X Vario 12-35mm
Rickshaw stand, GH3 + Lumix G X Vario 12-35mm
The ride, GM1 + Olympus M Zuiko 45mm
Playground, GM1 + Olympus M Zuiko 45mm
Nap, GM1 + Olympus M Zuiko 45mm
The pier, GH3 + Lumix G X Vario 12-35mm
After one full day relentlessly walking the streets of old Yangon, camera in hand, capturing every scene and trying to apprehend the vibe and rhythm of such a vast, diverse and complex city, I noticed I had a slight sunburnt, and only then I realized something that had past unnoticed to me the whole day despite its obviousness: the scarcity of trees in the city. There seems to be no space left for them, amidst the streets full of concrete, cement and dust. I promised myself to look for more trees the following day!

Bricks and textures, GH3 + Lumix G X Vario 12-35mm
The trunk, GM1 + Olympus M Zuiko 45mm
To see the streets of this city through color, head here, for the collection of captures of Yangon Circular Railway, click here, and for images of the beautiful pagodas that populate the city (including the renowned Shwedagon), click here.

1 Jul 2014

APF Street Photography Workshop

Photography had always been, so far, an individual activity for me, and intimate hobby, a way of spending quality time with myself merging three of the hobbies that give me more pleasure: walking, meeting new people, and photographing everything that I encounter along the way. Sundays have been, for the most part of the last year and a half, days of steps and shutter clicks, of rudimentary conversations with anonymous people and of urban discoveries. I have deeply enjoyed the path that has brought me, step by step, to where I am now, but for quite some time I have been thinking that I needed to move a bit further, that I should push myself harder in order to advance, learn, and grow as a photographer. And as the time was ripe, when I read about a workshop on Street Photography that was going to be held in my city, I had no hesitation: that was what I had been waiting for. I contacted them and last weekend the "APF Street Photography Workshop" took place at Hansar Hotel, downtown Bangkok.

Containers, GM1 + Lumix G Vario 12-32mm
Patterns, GM1 + Lumix G Vario 12-32mm
Gravity zero, GM1 + Lumix G Vario 12-32mm
Parallelism, GM1 + Lumix G Vario 12-32mm
Before this workshop, I had never received any formal education on photography, all my learning was done through the internet and through personal practice, going out and shooting as much as I could. I read, watched and heard lots of articles, books and videos about photography, and I observed countless photographies, but it was always random and probably unorganized, so this was the perfect chance for me to put some order in the chaos. We were a group of 16 photographers, guided by 4 mentors, and the workshop would last 3 days: Friday to Sunday. The first session was an introduction on what can be considered street photography, what tools we can use to work this genre efficiently, and what elements we should consciously look for in our scenes to get the strongest captures (things like lines, curves, triangles or yuxtapositions). With all this theory ingrained in our minds, we went back home to digest and comprehend what we had been shown, and the next morning we were all ready to go out and shoot, proving that we had learnt the lessons. First playing ground: Hualamphong Train Station.

Still life, GM1 + Lumix G Vario 12-32mm
Balance, GM1 + Lumix G Vario 12-32mm
Train frame, GM1 + Lumix G Vario 12-32mm
The wait, GM1 + Lumix G Vario 12-32mm
Reflection, GM1 + Lumix G Vario 12-32mm
Somewhere else, GM1 + Lumix G Vario 12-32mm
In the afternoon we returned to the hotel, downloaded our pictures into our laptops and, guided by the mentors, we chose our top pictures from the morning session, which later were shared with everybody else, punctuated by the comments and critiques of mentors and colleagues alike. This proved to be a very revealing experience to me: from hearing comments that nailed my inner motives upon capturing an image, to critiques that allowed me to see the weaknesses of a capture and ways to overcome and improve it, to discover that popular favorites might not be my own, it was all a great experience that helped me sharpen my eye and broaden my perspectives. Once all pictures were commented, there was a new session with some more theory (layers, this time), and soon we were out again, ready for the second photo session, this time at busy Chatuchak Weekend Market.

On ice and laughs, GM1 + Lumix G Vario 12-32mm
Rain run, GM1 + Lumix G Vario 12-32mm
The flower in the garden, GM1 + Lumix G Vario 12-32mm
Centrifuged, GM1 + Lumix G Vario 12-32mm
Affection, GM1 + Lumix G Vario 12-32mm
Game of motions, GM1 + Lumix G Vario 12-32mm
Curiosity, GM1 + Lumix G Vario 12-32mm
Through the palstic, GM1 + Lumix G Vario 12-32mm
Threes, GM1 + Lumix G Vario 12-32mm
Say hi!, GM1 + Lumix G Vario 12-32mm
It rained and the market was extremely crowded, so it was only natural that we all drifted away and ended up lost and separated from the rest; I took my time to wander around the countless aisles and lanes, but the light was dim and I did not seem to find any scene particularly interesting around me; nevertheless, I stayed longer and, once the rain stopped and the night lights started populating every stall, the market changed dramatically, and it was only then when I could see scenes that caught my attention and urged me to shoot. The following morning we would have the third and last photo session of the workshop, this time in a very different environment: Surasak neighborhood. So we left the computers and bags at the hotel, grabbed our cameras, and left at once.

The watch, GH3 + Lumix G X Vario 12-35mm
Levels of caution, GH3 + Lumix G X Vario 12-35mm
The gate to invisivility, GH3 + Lumix G X Vario 12-35mm
In case of rain, GH3 + Lumix G X Vario 12-35mm
Alcoves , GH3 + Lumix G X Vario 12-35mm
Start up, GH3 + Lumix G X Vario 12-35mm
Blue world, GH3 + Lumix G X Vario 12-35mm
Surasak is a very interesting quarter, since it holds a Hindu temple, a Buddhist-Burmese one, a Mosque and a couple of cemeteries, one of them Muslim and the other one Chinese, the biggest of Bangkok. We wandered in small groups around the narrow streets of this neighborhood, sharing ideas, inspirations, experiments, captures, all in a very relaxed and friendly way; we were all colleagues enjoying the same things but with our own, different styles. There was no competition but curiosity and healthy exchange of opinions, and this atmosphere is probably what surprised me the most. I felt so at ease with everybody that there was no place for insecurities or hesitations, it was all about enjoyment and learning. After a delicious meal at a local stall, we all reunited again at the hotel to revise our pictures from the last 2 sessions, going over the best of each of us again, humbly accepting critiques and the occasional praise, as well. And that was it. As quickly as it came, it was already gone. We exchanged contacts, and I'm sure this is just the beginning of a beautiful and fruitful relationship with many of them, colleagues and mentors alike. But as we were packing all our stuff to leave the hotel and return home, I just happened to see a glimpse of a scene that was unfolding right in front of me, so I grabbed the camera and captured my last shot of the workshop, a perfect synthesis of all elements learnt throughout those 3 days. Thanks for all your insights and hopefully we will meet soon again, friends of APF!

Game of reflexions, GM1 + Lumix G Vario 12-32mm
Layers, GM1 + Lumix G Vario 12-32mm