Yangon Circular Railway

Wandering around the streets of Yangon is an incredibly rewarding experience for the observer and photographer, since there are countless opportunities to capture slices of life everywhere you go, as I described in my previous 2 posts (monochrome scenes here, and color scenes here); however, there is more to Yangon than just street life. I heard from two friends that had visited the city a few months earlier, that there was another way of getting to see the local people and their ways of life from within that didn't involve walking at all; I was extremely curious to discover this place that promised to put me in touch with the locals at a more intimate level, and without even moving a muscle! Not that I doubted their words, but that was something I had to see for myself, so next morning we woke up early and walked to Yangon Central Railway Station, ready to jump on to the next train leaving.

Misleading lethargy, GH3 + Lumix G X Vario 12-35mm

Preparations, GH3 + Lumix G X Vario 12-35mm

Awaiting, GH3 + Lumix G X Vario 12-35mm

The lonely photographer's journey, GM1 + Olympus M Zuiko 45mm

Family trip, GM1 + Olympus M Zuiko 45mm

After purchasing a very cheap ticket, we waited for a few minutes, walking up and down the busy platform, trying to get a feel for the place, until the train finally came. Hordes of people got off the old carriages, since this was the last (and first) stop, so the train became momentarily empty, but as soon as the last passenger disembarked, another crowd of people (this time smaller in number) started getting on the coaches, looking for a bit of free bench where sitting. We were lucky to sit by a window and, as our carriage was not that occupied yet and there was nothing of much interest inside the train, I spent the first minutes looking through the window, gradually but clearly noticing how the blocks of houses, bridges and traffic were steadily diminishing, while rice fields and puddles, small villages and shacks became dominant. The city had led us to the countryside.

The curve, GM1 + Olympus M Zuiko 45mm

Free crossing, GM1 + Olympus M Zuiko 45mm

Reload, GM1 + Olympus M Zuiko 45mm

Home at the track's edge, GH3 + Lumix G X Vario 12-35mm

Hopes and bags, GH3 + Lumix G X Vario 12-35mm

Green hamlet, GH3 + Lumix G X Vario 12-35mm

The Circular Railway is Yangon's main way of transportation, since it is the cheapest and also because it links the city center with the surrounding, countryside areas, forming a loop of 45 km across 39 stations; thus in every station we stopped at (and these stops varied from mere seconds to roughly a minute) more and more people got on the train, bringing along multiple goods, most of them vegetables and fruits, in order to sell them at the street markets that populate the city. Our coach was no longer a quiet place, and only now I understood the words of my friends when they talked about 'intimacy', since the carriage was getting so crowded that there was hardly any space left to move your legs, and it was unavoidable to be sitting arm to arm, foot to foot, with everybody else around you.

Travel friendship, GM1 + Olympus M Zuiko 45mm

Myanmar donuts, GM1 + Olympus M Zuiko 45mm

Senior dealer, GM1 + Olympus M Zuiko 45mm

Market on the move, GM1 + Olympus M Zuiko 45mm

Haste, GM1 + Olympus M Zuiko 45mm

I do not speak any Burmese, so my interactions with the locals were limited to glances, smiles, some body language and other basic gestures, but being right there, in the middle of a local, busy crowd going ahead with their own lives, made me feel so at ease! They didn't pay much attention to me and my camera after some first curious seconds, but they were always considerate and friendly, despite the language barriers. Nevertheless, there was something else that immediately grabbed my attention and, once it did, it just didn't let go of me anymore, for it totally robbed my focus: the children's faces and eyes. At once interested, wary and shy, they kept on looking at me furtively through the piles of bodies between us, and that game of elusive gazes went on for a few stations until they suddenly stood up, and got off. 

Thanaka face, GM1 + Olympus M Zuiko 45mm

Windowvision, GM1 + Olympus M Zuiko 45mm

Shades of ochre, GM1 + Olympus M Zuiko 45mm

Shy eyes, GH3 + Lumix G X Vario 12-35mm

The journey within, GM1 + Olympus M Zuiko 45mm

Three hours later, we arrived back at Yangon Central Railway Station. Our legs were a bit stiff, but my camera was packed with many memories, and my heart with a pinch of sadness. But that soon would be fixed with a visit to Yangon's most spectacular landmark: Shwedagon Pagoda.

Streets of Yangon II: color scenes

Yangon is a city that deserves to be discovered by foot. It's quite vast and it can be very hot at times, but the pleasure of simply walking through its alleys, discovering amazing little corners or buildings left and right is totally worth it. Architecture-wise, Yangon is a city with a visible colonial past were time and rains have passed mercilessly and have left their sign on the walls and windows: everywhere you go, the big, old buildings will greet you with their mouldy facades and rotten furniture, with their faded colors and their leaning railings. Yangon is a city of contrasts, where once majestic buildings are abandoned and decrepit today, while people live in small beehives and spend most of their time in the streets. After last week's monochrome collection (you can see it here) today we embrace color!

Human beehive, GH3 + Lumix G X Vario 12-35mm

Nature vs. cement, GH3 + Lumix G X Vario 12-35mm

Deterioration, GH3 + Lumix G X Vario 12-35mm

Open decay, GH3 + Lumix G X Vario 12-35mm

Quiet afternoon, GM1 + Olympus M Zuiko 45mm

Transparency, GH3 + Lumix G X Vario 12-35mm

But there is more to Yangon than simply decay and abandonment from better times; the city is far from dead, and it shows a relentless energy and will to prosper that can be seen in certain areas that are experimenting rapid urbanization and growth. Though tourism and foreig presence is still small in the city (and the rest of the country), things are starting to change and signs of modernisation can already be spotted througout the city. The area near Yangon's main attraction, Shwedagon Pagoda (I will cover it in a future post), is specially active in its development: new condominium buildings are starting to appear, and the lake around the floating Karaweik Palace, another of Yangon's renowned attractions, has turned into a nice, big and well kept public park.

Karaweik Palace I, GH3 + Lumix G X Vario 12-35mm

Karaweik Palace II, GH3 + Lumix G X Vario 12-35mm

Shwedagon through the trees, GH3 + Lumix G X Vario 12-35mm

Afternoon reflections, GH3 + Lumix G X Vario 12-35mm

Romance in the umbrella shade, GH3 + Lumix G X Vario 12-35mm

Cooling down, GH3 + Lumix G X Vario 12-35mm

But what is a city without its myriad of faces and souls populating every road and every street? Day and night, old quarters or developing areas, shaded corners or sunny squares, Yangon is never empty nor quiet, and you will always encounter people anywhere you go in this exciting, dirty metropolis. Kids playing and men riding, women carrying goods back home or vendors advertising. Chances are very high that you will grab a few smiles and even rudiments of conversations along your way, and more often than not, the best memories you will keep from your days spent there willl not be places but people. 

19th Street, GM1 + Olympus M Zuiko 45mm

Night market, GM1 + Olympus M Zuiko 45mm

Umbrellas, GH3 + Lumix G X Vario 12-35mm

The dishwasher, GH3 + Lumix G X Vario 12-35mm

Textures and surprise, GM1 + Olympus M Zuiko 45mm

The little guardian, GH3 + Lumix G X Vario 12-35mm

Ice-cream seller, GM1 + Olympus M Zuiko 45mm

Searching for tired legs, GM1 + Olympus M Zuiko 45mm

To see the collection of images from Yangon Circular Railway, click here., and for images of the beautiful pagodas that populate the city, including the renowned Shwedagon, click here.