A friend nobody called: Review of Panasonic Leica DG Nocticron 42.5mm

How I shoot: I take my camera, water, comfortable clothes, a cap, and I go out. I walk slowly, sometimes with a predetermined itinerary in mind, often with just a vague idea where I might go. I observe and I listen. I continue walking, and I observe some more. Sometimes I stop. Something catches my attention. I raise my camera, work the scene quickly, and press the shutter release. Normally I grab a second, safety capture if the scene is stationary and hasn't vanished in the meantime. Then I lower the camera, and I resume my walk. From time to time, a conversation sprouts. I like to engage with my surroundings, to know them and get a feel for them.

Façade over Khlong Saen Saeb I, GH3 + Panasonic Leica 42.5mm

Façade over Khlong Saen Saeb II, GH3 + Panasonic Leica 42.5mm

I don't let technical considerations get in the way while I'm out walking. I never allow the mechanical part of the photographic process to drive how I shoot or to dictate the things I have to see, or search, or capture. It's always the other way around: there is something that grabs my eye and my attention (could be a fancy game of light and shadows, a pair of eyes that conceal big secrets, a beautiful geometry), and that is the only factor strong enough to make me raise my camera, and photograph. 

The game, GH3 + Panasonic Leica 42.5mm

The gang poses, GH3 + Panasonic Leica 42.5mm

Street arrangement, GH3 + Panasonic Leica 42.5mm

The camera and the lens are just a tool to record what I see and what I'm interested in, what I find appealing and what moves me. That's why I will not shoot diagrams or test shoots to analyze gear, and therefore you will not find those here. My equipment has to accommodate me, the same way a pair of shoes naturally adjusts to the shape of the walker's feet: I will not change the way I shoot for the sake of a new lens or a new camera; it's the tool which has to conform to its master.

Multitasking, GH3 + Panasonic Leica 42.5mm

Motions, GH3 + Panasonic Leica 42.5mm

Turning point, GH3 + Panasonic Leica 42.5mm

And suddenly, one day, it arrived. Actually, it didn't walk to me on its own, rather at the contrary, I went looking for it. But I say 'suddenly' because I had not planned it in advance, as I have done in each and every of my previous purchases, and this might sound contradictory, being this the most expensive piece of photography gear I have ever acquired. I knew about it, no doubt, but I already had the tiny and gorgeous Olympus M. Zuiko 45mm f1.8, which I could use equally with my bigger GH3 and my smaller GM1, and after almost 2 years with it I had realized it was probably the lens I used less, so there was no room in my flat for another guest. Or so I thought until I saw that great promotion, and decided to purchase it straight away.

Links, GH3 + Panasonic Leica 42.5mm

Impact, GH3 + Panasonic Leica 42.5mm

The crew, GH3 + Panasonic Leica 42.5mm

Unsurprisingly, two things have happened since the day this big, heavy piece of glass has joined my modest collection: I have been shooting with it (almost exclusively) ever since, and it's about 2 months in my possession; and it has helped me rediscover the joy of shooting with a bigger camera, in this case the GH3. Since I bought the ridiculously tiny GM1 last December, my GH3 had seen less and less use, as it stayed at home most of the times, while GM1 came with me, inconspicuous in my handbag, wherever I went. Not so any more. 

A question of reds, GH3 + Panasonic Leica 42.5mm

Point of interest, GH3 + Panasonic Leica 42.5mm

An opening in the crowd, GH3 + Panasonic Leica 42.5mm

There are joys of shooting with compact equipment, mobility and discretion being the biggest of them all, but I have realized there is room for bigger options, as well (as long as size and weight don't trespass certain limit, but no micro 4/3 equipment goes that far); GH3 paired with the Nocticron is, simply put, a delight to use. From the beauty and quality of its construction to its design and operation, which are both smooth and solid, this is a couple that asks to be held, used, carried. I could think of no bigger praise than that. My GH3 is living a second youth thanks to this newcomer, and that can only be good news.

After school, GH3 + Panasonic Leica 42.5mm

The walk, GH3 + Panasonic Leica 42.5mm

Curious glance, GH3 + Panasonic Leica 42.5mm

But, at the end of the day, what really counts is the enjoyment of the whole process, and as crucial as the physical experience is, no photographic journey is ever complete without the photographs, so how did they turn out to be? In the three weeks after I bought the Nocticron I used no other lens, and all the images presented in this post are my favorites from all those sessions, taken at different days and locations and arranged by communion of content. There is not just one story here but multiple, minimal episodes of life, all of them in the streets, most of them involving people with a higher or lower prominence. Countless, simple stories to get a glimpse of what this lens is able to deliver.

Crosscurrent, GH3 + Panasonic Leica 42.5mm

Somewhere called home, GH3 + Panasonic Leica 42.5mm

A path of green moss, GH3 + Panasonic Leica 42.5mm

Sharpness? The highest of any lens I have used in this system so far (which has actually forced me to lower the sharpening defaults upon importing my images into Lightroom). Bokeh? The nicest rendition of out of focus areas I have yet seen in the micro 4/3 world, which has given me the option to isolate objects at medium distance with not so distant backgrounds, something no other lens let me achieve before, 'Street arrangement' being a clear example of that). Distortion? Not noticeable. Vignetting? Present at f1.2, but easy to correct or, being aware of it, use it to your advantage. Autofocus? Reliable and fast. Stabilization? Brings me a higher success rate than I ever achieved with the Olympus 45, apart from being faster and sharper, 3 advantages that, for me, have totally compensated the expense.

Nap in the canteen, GH3 + Panasonic Leica 42.5mm

Level crossing, GH3 + Panasonic Leica 42.5mm

Chameleon, GH3 + Panasonic Leica 42.5mm

Nocticron, the perfect portrait lens, or so they advertized it. All I can say is that this lens is much more than just a portrait lens; in fact, I have not shot a single pure portrait with this lens yet, and I have focused mainly on street captures and full body portraiture, and in both cases the lens has performed admirably, capturing multitude of detail, vibrant colors, lots of light and, specially, that subtle yet transparent isolation of objects from foreground and background at various distances. Yes, I know I should be shooting other scenarios as well, specially the portraits everyone seems to be most interested about, but worry not: this lens is here to stay, so I will have plenty of time to put it through its paces in the coming months.

The rearguard, GH3 + Panasonic Leica 42.5mm

Shy but curious, GH3 + Panasonic Leica 42.5mm

The sentry, GH3 + Panasonic Leica 42.5mm

It's like a new friend you did not expect nor needed but, once he has arrived, he rapidly becomes familiar, necessary, irreplaceable. And, more so, a friend that encourages you to go out, and do more often what you ultimately enjoy doing, renewing your enjoyment and giving you new energies. Welcome home, Nocticron!
[For further impressions and images with the Nocticron, head to the next post here].

My first beauty shoot

A few weeks ago a friend of mine called me late in the evening and asked me if I had free time the following morning. I happened to have a day off so I answered 'yes', and then she explained why she was asking. It turned out she needed some photographies taken because she was setting up a Facebook page to sell clothes, and she thought I might be able to help her. 'Sure!', I promptly replied: I had never took part in a beauty shoot before and, even though this was going to be a very basic one (we had no lighting equipment at all), I was excited nonetheless, as it was a great opportunity for me to try a genre I had never been in contact with. So, the following morning I grabbed my 2 cameras with 1 prime lens each, and that's all I carried with me.

Faii in black I, GH3 + Olympus M. Zuiko 45mm

Faii in black II, GH3 + Olympus M. Zuiko 45mm

Faii in black III, GH3 + Olympus M. Zuiko 45mm

It was all among friends (the two models were her friends and the location was the recently opened café of an acquaintance), so the atmosphere was very relaxed and comfortable for all of us, since it felt we were just spending a morning together, chitchatting and drinking very good coffee while trying on lots of clothes and taking pictures. The two models had no experience whatsoever, either, so we were all complete beginners, which released us all from pressure and let us just go with the flow and do our best without stress.

Prae in black, GH3 + Olympus M. Zuiko 45mm

Prae in pink, GH3 + Olympus M. Zuiko 45mm

Prae in white, GH3 + Olympus M. Zuiko 45mm

All shots were taken with the natural light that entered trough the big picture windows, as we didn't have light nor even reflectors, so it was all a question of finding the optimal location and positioning of the girls in order to get the best light possible on them. Luckily, it was a sunny day so we had plenty of light to play with, but still it was a bit dark inside the bar, which made us stay most of the time by the window, therefore having less variation in the settings and backgrounds.

Faii in white, GH3 + Olympus M. Zuiko 45mm

Faii with pink shorts, GH3 + Olympus M. Zuiko 45mm

Faii in monochrome, GH3 + Olympus M. Zuiko 45mm

Faii's back, GH3 + Olympus M. Zuiko 45mm

I had the Olympus M. Zuiko 45mm f1.8 lens mounted on my GH3 and the Panasonic Leica 15mm f1.7 mounted on the GM1 and, even though I used both of them roughly the same amount, I didn't really like the outcome of the PanaLeica pictures, and that's why I haven't chosen almost any of them for this post. Nothing wrong with the lens itself, but the focal length was too wide for such a narrow café and, although I took many pictures of the two girls full body, the angles and perspective didn't appeal to me. Nevertheless, my friend liked those pictures too and even used some for her advertising purposes, but I was not satisfied with any of them, so I will not show them here.

Prae in blue I, GH3 + Olympus M. Zuiko 45mm

Prae in blue II, GH3 + Olympus M. Zuiko 45mm

Prae and the horse I, GH3 + Olympus M. Zuiko 45mm

Prae and the horse II, GH3 + Olympus M. Zuiko 45mm

The majority of the pictures were half-body shots, since the main focus were the clothes, as that was the intended purpose of the shoot, to begin with, so I didn't take many closeup portraits, and that is one of the things I regret from that day. It would have been a nice chance to get a bit closer and experiment with some portraits, but we were a bit short on time, the girls had to try on lots of different clothes, and we needed to keep fast, so there was not much time for thinking, just shooting! Afterward, back at home in the computer, I decided not to do much post-processing, so the files are very close to the original; I just brought back the shadows in the dark clothes to reveal the details and textures of the fabric, and enhanced lightly the eyes and faces, trying to lessen any interfering elements.

Prae and Faii I, GH3 + Olympus M. Zuiko 45mm

Prae and Faii II, GH3 + Olympus M. Zuiko 45mm

Faii and Prae, GH3 + Olympus M. Zuiko 45mm

However, and despite the fast pace we followed the whole morning, I still found the time to grab a few captures for my own personal interest and, in the end, they turned out being my favorites of the whole session. Lesson learnt: focus on what you are supposed to do, but don't sacrifice your own style and find a tiny bit of time to shoot how and what you like!

Yuxtaposition, GM1 + Panasonic Leica 15mm

Faii through the window, GH3 + Olympus M. Zuiko 45mm