There are normally 3 things that come on top of everything else when I'm out taking pictures, and those are subject, composition and exposure, in that order. Obviously the process is done quickly and half intuitively, but it's always the subject what catches my attention first and asks me to capture it, and once I stop walking and raise the camera, framing that subject in the most powerful way becomes the priority, while exposing it appropriately is next. This is the progression I have followed in my approach to photography since I started taking it more seriously last year, and it seems logical to me, as the main force that propelled me into this art was telling stories, thus subject was always the key element. Framing and exposing are the technical means to give body to the content.
|Primary colors, GM1 + Lumix G Vario 12-32mm|
|Patches of light, GM1 + Lumix G Vario 12-32mm|
|Sunset romance, GM1 + Olympus M. Zuiko 45mm|
|Organic and inorganic, GH3 + Lumix G X Vario 35-100mm|
But there are more things to photography than those three, obviously, and my intention is exploring them one by one, step by step, to broaden my understanding of this language and, hopefully, get better at it. Things like movement, abstraction, style, are a few that I have yet to embrace and start practicing in my photography, as are many others, but I'm in no hurry: I photograph primarily for myself, and as long as I enjoy this journey, I will go ahead at my own pace, wherever it leads me.
|Glossy and matte, GM1 + Lumix G Vario 12-32mm|
|Enclosed by concrete, GM1 + Lumix G Vario 12-32mm|
|The only way is up, GM1 + Lumix G Vario 12-32mm|
|Light at the end of the tunnel, GM1 + Lumix G Vario 12-32mm|
But there is something else that, even tough I knew it was very important from the beginning, I never really paid it much attention consciously; it was always there, and my eye was aware of it, but only at an unconscious level, and it is only recently that I have come to realize how crucial it really is, and how much better my eye and my photography would become if I just train myself to have this element always in mind first and foremost, even before the three elements I mentioned at the beginning of this post. And this is nothing but light.
|Chain, shadow & leave, GM1 + Lumix G Vario 12-32mm|
|Duplicated reality, GM1 + Lumix G Vario 12-32mm|
|The sacrifice of the upper side of the leaf, GM1 + Lumix G Vario 12-32mm|
I had read and heard countless times how important it was to study, understand, and look for light in photography, but I never really understood the deeper implications of what this really meant until now. It's as if my photographic journey had been a walk in the midst so far, and now suddenly the fog clears and everything becomes sharper and more defined. This doesn't necessarily mean that my pictures will magically turn better from night to day, but it definitely is impossible to pass a threshold in photography until you fully comprehend the mechanisms of light and its visual impact. Therefore, that is the main goal I have set for myself in the coming months: to be more aware of light, of how it works and how it shapes things, of how it hides and how it suggests. I am going to wittingly look for light from now on, and I'm going to train my eye to see it, understand it and, ultimately, capture it.