Fortuitously, the day before I started my holidays, my usual dealer received the first commercial units of the Lumix DMC-GX80 and it took me only an hour to visit their store and own one of them. It was my first camera purchased since the diminutive
GM1, two and a half years ago, that was still fully functional. Why did I buy a new camera, then? Had I outgrown my previous cameras (the aforementioned GM1 and my first body, the GH3, bought a year earlier)? Was it simply GAS? Today, three months of intensive shooting later, I can answer those questions quite comprehensively and, along the way, I will present my analysis of the camera through my personal experience with it.
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| Seso, GX80 + Panasonic Leica 15mm |
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| Guests, GX80 + Panasonic Leica 15mm |
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| Nacimiento del Río Cuervo, GX80 + Panasonic Leica 15mm |
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| Río Aragón Subordán, GX80 + Panasonic Leica 15mm |
It's somehow symptomatic that the only 2 camera bodies that I have had since I became more serious in photography, almost 4 years ago, were the smallest (GM1) and biggest (GH3) that the micro 4/3 system of cameras has ever had. I landed in photography from videography, which made the GH3 the logical choice at that moment (January 2013); for a year, I shot exclusively with that camera and that's how I slowly learned the basics of photography and started my journey. Since the camera is quite bulky (considering the system it belongs to) I only used it in the weekends, when I used to go out for photowalks to practice.
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| Hikers, GX80 + Panasonic Leica 15mm |
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| Bargain, GX80 + Lumix G X Vario 12-35mm |
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| Cool shade, GX80 + Panasonic Leica 15mm |
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| Workers, GX80 + Lumix G X Vario 12-35mm |
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| Workers and hand, GX80 + Lumix G X Vario 12-35mm |
A year later, as my understanding of the basic tools and my enjoyment of photography grew wider, I wanted a smaller body that I could carry wherever I went for more occasional shooting or for those situations where small size really mattered, and that's why I bought the GM1. From that moment on, I kept using the two cameras alternatively, depending on my needs. Eventually I started carrying both bodies and using them simultaneously, each one paired with a different prime (a wide and a short telephoto) so I didn't need to swap lenses. This became my primary setup until recently, when I realized that carrying two cameras at all times was not always that practical. Here's how the new Lumix GX80 came to be a new member of my photographic arsenal.
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| Parking, GX80 + Lumix G X Vario 12-35mm |
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| Smoking area, GX80 + Lumix G X Vario 12-35mm |
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| Laundry, GX80 + Lumix G X Vario 12-35mm |
The Lumix DMC-GX80, GX85 or GX7II (in Europe, US and Japan respectively) sits between the GM1 and the GH3 in terms of size, so it is a medium-sized micro 4/3 camera, which is still small enough to carry in a handbag. Sure it is not pocketable but it definitely is more portable than the GH3, which makes it a better choice for everyday shooting since you will be more likely to carry it with you everywhere. And compared to the GM1, it offers much more versatility and direct control over the settings (viewfinder, small grip and double control wheels as prime examples). In my hands, it feels as the perfect balance between the former 2 bodies, to the point that, even though I didn't buy it as a replacement to either of them, it has actually ended up being exactly that. Using a
Lord of the rings analogy, I could describe it as "a camera to rule them all", for its controlled size and its multiple options make it a great choice for a wide range of shooting scenarios, making it a great
travel camera. It was the only camera I carried in my holidays through Spain and Italy and it was a great companion.
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| Cuenca, GX80 + Panasonic Leica 15mm |
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| Foro Romano, GX80 + Panasonic Leica 15mm |
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| Boltaña, GX80 + Panasonic Leica 15mm |
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| Abizanda, GX80 + Panasonic Leica 15mm |
From a technical point of view, there is probably nothing I couldn't achieve with my previous cameras that the new GX80 would allow me to do; they all share very similar innards, so the decision to purchase it was not due to technical limitations (after all, it's the photographer that matters most). However, that is not to say that the newest model doesn't include new improvements and additions, and the 2 that were especially appealing to me, were:
1– In-Body stabilization that worked in conjunction with the lens-based OIS (none of my previous cameras had any sort of body IS), which would let me use longer shutter speeds, and that could potentially be a big deal in
low-light photography to prevent ISO from getting to high, moreover opening the door for new creative possibilities, such as hand-held, longer-than-normal exposures.
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| Coliseum at night, GX80 + Panasonic Leica 15mm (1/5 seconds, f1.8, ISO 200) |
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| Red ghost, GX80 + Panasonic Leica 15mm (0.4 seconds, f2.5, ISO 200) |
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| Disproportion, GX80 + Panasonic Leica 15mm (1/5 seconds, f1.7, ISO 800) |
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| Calle Mayor at night, GX80 + Panasonic Leica 15mm (1/5 seconds, f1.7, ISO 200) |
2– Sensor without an anti-aliasing filter and a new shutter mechanism that promised to almost completely eliminate the shutter shock that had affected some earlier models. These two improvements promised images that would be a bit sharper and crisper and devoid of any blur, which seemed to be perfect for
landscape photography, where every bit of detail counts.
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| Aguas Tuertas I, GX80 + Panasonic Leica 15mm |
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| Aguas Tuertas II, GX80 + Panasonic Leica 15mm |
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| Summer pastures, GX80 + Panasonic Leica 15mm |
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| Guarrinza, GX80 + Panasonic Leica 15mm |
Every new camera has its idiosyncrasies and requires some adjustments to find the way in which they work better for us, so after the initial trial and error period, we came to terms with each other and the shooting experience became much smoother. This is how I ended up configuring it:
1– I assigned the AE/AF button to act as a back-focus button, removing that functionality from the shutter-release button altogether. This way, the shutter-release would only shoot, skipping the re-focusing that happens every time you press it in autofocus mode. This is a perfect middle ground between autofocus and manual focus, because it lets you pre-focus at the desired distance and then shoot as many times as you want without any change of focus distance, which works great for
street photography, for instance, where there is no second to lose with adjustments (granted, zone focusing with manual focus would be better, but since none of my cameras has distance scale marks I found this to be a good workaround).
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| Streets of Rome, GX80 + Panasonic Leica 15mm |
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| Girl with a fan, GX80 + Panasonic Leica 15mm |
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| Under construction, GX80 + Panasonic Leica 15mm |
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| Yellow and blue, GX80 + Lumix G X Vario 12-35mm |
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| Overprint, GX80 + Lumix G X Vario 35-100mm |
2– I assigned the back control dial to directly adjust the exposure compensation (rather than doing so after clicking it, as it is set by default), so I didn't need to waste one step every time I wanted to adjust the exposure compensation; since I use aperture and shutter priority modes most of the times, depending on the depth of field or motion blur that I want in my images, this was the optimal solution because it assigns the front dial to control that parameter, while the back dial adjusts the exposure compensation. This combination has been of great help in
architectural and geometrical photography to adjust to situations with challenging dynamic range.
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| Museo de Arte Abstracto Español (Cuenca), GX80 + Panasonic Leica 15mm |
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| St. Peter's Dome Reflection, GX80 + Panasonic Leica 15mm |
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| Vatican Museum I, GX80 + Panasonic Leica 15mm |
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| Vatican Museum II, GX80 + Panasonic Leica 15mm |
3– I set the fn1 button to control the metering modes, so I could quickly change between multi metering or spot metering. Finally, I kept the fn2 button as the quick menu, but I assigned the first option to control the focus modes. It's not as fast as having a dedicated focus mode dial (the thing I miss the most from the GH3 and GM1), but at least it lets you change between auto focus and manual focus fairly quickly in the lenses without a focus mode switch. This way I could be more precise with what I wanted in focus in those instances where autofocus would fail, such as through fences or foliage, or when I wanted to focus in very small and specific areas of the image.
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| Botijo, GX80 + Panasonic Leica 15mm |
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| Tyre frame, GX80 + Panasonic Leica 15mm |
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| Yellow and green, GX80 + Panasonic Leica 15mm |
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| The remains of the wall, GX80 + Panasonic Leica 15mm |
I always shoot RAW and process my images in Lightroom one by one without applying presets, so I can't comment on the quality and tonality of the .jpg files straight out of the camera; still, there is an option that I had never used before in my previous cameras that has turned out to be very useful:
Panorama, which is accessible directly in the mode dial on top of the camera. Granted, the resulting file will be a .jpg, so you will lose flexibility and latitude for post-processing but, if done carefully, the images produced are very detailed.
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| Aguas Tuertas Panorama, GX80 + Panasonic Leica 15mm |
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| Boltaña panorama, GX80 + Panasonic Leica 15mm |
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| Foro Romano panorama, GX80 + Panasonic Leica 15mm |
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| Colisseum at night panorama, GX80 + Panasonic Leica 15mm |
All in all, what more clearly summarizes the good opinion I have of this camera is that, since buying it, I have never used any other camera and, more importantly, I haven't missed anything from my previous models, which speaks volumes about the versatility of the GX80. Sure, every camera has its
weak points, and in the case of the GX80 two are the most glaring ones for me (a limited battery, that definitely requires you to have a spare or two at all times; and an average viewfinder, a bit small to be comfortable for people wearing spectacles such as myself). On the other hand, the GX80 has some
strong points that have been decisive for me, and those are: RAW images that are a bit crisper and sharper than previous models (which has forced me to reduce the default sharpening I apply to all files in LR upon importing), and a package that is small enough yet versatile at the same time, achieving almost anything necessary in a very balanced and comfortable design.
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| The end of the road, GX80 + Panasonic Leica 15mm |
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| The clouds above, GX80 + Panasonic Leica 15mm |
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| Boltaña's castle, GX80 + Panasonic Leica 15mm |
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| St. Peter's Dome, GX80 + Panasonic Leica 15mm |
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| Vatican Museum spiral staircase, GX80 + Panasonic Leica 15mm |
