Making merit: monk's ordination in Thailand

A few weeks ago I was lucky be invited to attend an ordination in Eastern Thailand during the Songkran holidays; I had read and seen multiple articles and pictures of this event beforehand, so I thought I was more or less familiar with the ceremony, in which a boy over 20 years old gets ordained at a temple for a short amount of time (that usually ranges from a few days to a few weeks) to make merit for his parents or relatives, as the highest form of merit making conceived by Buddhists; nevertheless, I immediately jumped in the opportunity to be present in one of them directly, since I wanted to experience it from within. Although I'm sure each ceremony varies and has its own idiosyncrasies and specificities, I understand that this was a very reliable depiction of the event that, in the end, turned out to be much more complex and rich than I had anticipated. They were two days full of big and small details that I tried to capture with my eyes and my camera and that I will try to portray here as best as I can. 

Atrezzo, Lumix GH3 + Panasonic Leica 42.5mm

Day 1 started in the afternoon, when the soon-to-be-ordained young man paid a visit to the local temple he had chosen (normally the temple closest to his hometown) to retrieve some religious items that would be necessary in the ceremony; he then brought them home where some of the neighbors, all of them old women, were awaiting to polish them in order to carefully set all the decorations and arrangements the house had to undergo for the following day, which also included untying the cords from plaited ropes and cooking the meals that everyone would eventually eat. It was very apparent to me from the very beginning that this was not an individual event, nor even a private, familiar one, but a celebration that involved the whole community in several ways and in which everyone took part performing different tasks. Perhaps in the cities this atmosphere of neighboring collaboration has faded, but in the rural areas definitely this was a party for everyone where the host was but the excuse for the whole celebration.

Preparations, Lumix GH3 + Panasonic Leica 42.5mm

Untying the cords, Lumix GH3 + Panasonic Leica 42.5mm

Once the preparations where in motion at home, the young ordinand returned to the temple where he was dressed with the appropriate clothes, again with the help of the old women from neighbor houses, and awaited the arrival of the monks who would perform the first important and very symbolic ritual of the ceremony: cutting his hair. One by one, every family member, elder from the village and friend of the ordinand cut a lock of his hair as a way of wishing him luck and expressing their love and friendship, while all the fallen hair was being collected in a vase covered by a banana leaf.

Expectations, Lumix GH3 + Panasonic Leica 42.5mm

The first cut, Lumix GH3 + Panasonic Leica 42.5mm

What stays behind, Lumix GH3 + Panasonic Leica 42.5mm

Traces I, Lumix GH3 + Panasonic Leica 42.5mm

Traces II, Lumix GH3 + Panasonic Leica 42.5mm

Traces III, Lumix GH3 + Panasonic Leica 42.5mm

Once everyone had cut a lock of hair, the monk took the razor, and the final step of this ritual was performed in complete and total silence: shaving his head and his eyebrows to clean his head of all current attachments to his former self and granting him a fresh, new beginning. Once the head was freed from all hair, the family members, those receivers of the merits, spilled cold water over his skull to clean it from all stray tresses.

The holy barber I, Lumix GH3 + Panasonic Leica 42.5mm

The holy barber II, Lumix GH3 + Panasonic Leica 42.5mm

The drop over the eyebrow, Lumix GH3 + Panasonic Leica 42.5mm

New beginning, Lumix GH3 + Panasonic Leica 42.5mm

The wash, Lumix GH3 + Panasonic Leica 42.5mm

Back from the temple, and as the evening slowly gave way to the night, the friends proceeded to decorate the car that would be used the following day with colorful ribbons tied in beautiful, flowery patterns, while the one-step-closer ordinand walked alone, visiting all the houses of the elder neighbors as an act of thanks-giving, praying individually for each of them. Once back in his house, there were some more prayers and the last day of freedom extended well into the night with food, drinks, and endless chit-chats and conversations with friends and relatives long-time absent.

Car decorations I, Lumix GH3 + Panasonic Leica 42.5mm

Car decorations II, Lumix GH3 + Panasonic Leica 42.5mm

Thanks-giving, Lumix GH3 + Panasonic Leica 42.5mm

Day 2 started as early as the sun rose; the house was all ready since the previous night so, when the monks arrived with the sunrise, along many neighbors, the traditional alms-giving ceremony started. After the prayers, the monks and all the guests were treated to a copious breakfast paid by the family of the ordinand, who was already halfway between us, the guests, and monkhood (you can see the process of cooking some of those dishes in this post here).

Lighting the candle, Lumix GH3 + Panasonic Leica 42.5mm

Offering alms I, Lumix GH3 + Panasonic Leica 42.5mm

Offering alms II, Lumix GH3 + Panasonic Leica 42.5mm

Offering alms III, Lumix GH3 + Panasonic Leica 42.5mm

Soon after the people finished their food, the ordinand was surrounded by a constant stream of neighbors and friends that, one by one or in small groups, tied the cords around his wrist along with money, offering him their prayers and best wishes in a never-ending procession of hands and whispers. The ordinand was the center of a beehive of people that never seemed to fade and, in a prolonged ritual, his arms became full of white and orange cords, the urn beneath brimming with notes, both big and small.

Tying the cords I, Lumix GH3 + Panasonic Leica 42.5mm

Tying the cords II, Lumix GH3 + Panasonic Leica 42.5mm

Neighbors I, Lumix GH3 + Panasonic Leica 42.5mm

Neighbors II, Lumix GH3 + Panasonic Leica 42.5mm

It was then when the ritual abandoned the house for the first time that day and the parade to the temple started. Noon was fast approaching, and the sun was fierce and mighty, yet nobody wanted to miss the last (and most important) stages of the celebration, so the car opened the march, with the ordinand carried in the back of the pick-up, flanked by his closest family members, the ones for whom he was actually enduring this ritual, and everyone else (us: friends, neighbors, relatives, observers) followed on foot to the temple grounds.

The parade, Lumix GH3 + Panasonic Leica 42.5mm

Bonds, Lumix GH3 + Panasonic Leica 42.5mm

The way to monk-hood I, Lumix GH3 + Panasonic Leica 42.5mm

The way to monk-hood II, Lumix GH3 + Panasonic Leica 42.5mm

Once in the temple, and after a short interval of refreshment, dance and picture-taking, the ordinand was risen on the shoulders of a neighbor and carried 3 times around the temple, with everyone else following, as the final preparation before the real ordination, that was already a stones throw away. After the three rounds, he was lowered to the floor again and, removing his shoes, he climbed up the stairs to the shrine where he would ultimately be ordained. The monks were already awaiting inside the sacred chamber, but one last crowd-pleasing task had to be performed before: with a bright smile, the ordinand threw lots of small laced-flowers with coins inside, while all the guests, particularly the children, awaited at the foot of the staircase to catch as many as they could grab.

Over the shoulders, Lumix GH3 + Panasonic Leica 42.5mm

The gifts, Lumix GH3 + Panasonic Leica 42.5mm

Thus the ceremony entered the final and most important stage, while at the same time becoming the most intimate; the few people who could gather at the door of the elevated shrine kept total silence while the ordinand received his new robes from the hands of his closest relatives, and then he entered the shrine where he would be changed into those new clothes by the monks themselves. Silence fell upon the temple as most of the guests dissipated, and only a handful of close relatives remained to see how, from the darkness of the shrine, the ordinand reappeared in his bright, saffron robes, ready to receive the final prayers. Once he stepped out of the threshold of that shrine he was no longer the boy he used to be, but an ordained monk, so there were no farewells nor words of encouragement, for he silently followed the procession of monks towards his new home for the following days, while we saw him leaving under the hot sun of April.

The robes, Lumix GH3 + Panasonic Leica 42.5mm

A new life, Lumix GH3 + Panasonic Leica 42.5mm

The malaise of tedium, or photography boredom

I guess it just happens, at one point or another: one day, while you are cleaning the house, you move out the camera bag to dust the shelf where it had been laying, untouched, for longer than you had realized, and then you wonder, when was the last time I went out to the streets, as I used to do almost on a weekly basis, for a photography stroll? And you can't quite recall the exact date, for it has been months since then. In my case, I started counting and I realized they had already passed five months since the last time I took my camera out for a bit of unplanned fun.

Against all odds, GH3 + Lumix G X Vario 12-35mm

Prayer, GH3 + Lumix G X Vario 12-35mm

The length of the time struck me as a revelation, but what was even more shocking was the fact that I still didn't feel like going out again anytime soon. Not that I had many other interesting things happening in my life; I just didn't feel the itch or call to grab my camera and leave my room, as used to be my weekend routine for the previous two years. What had changed, then? Essentially, nothing big or determinant had happened during these last months, as my life went on normally and the rest of my routines were not affected at all, so after a careful consideration, I just assumed I had hit a wall in my photographic development, one we could call as lack of inspiration or, better still, disinterest.

The sky above, GH3 + Lumix G X Vario 12-35mm

Urban frame, GH3 + Lumix G X Vario 35-100mm

What used to give me joy and fulfillment had quietly faded from my list of interests, and, without noticing it, I had grown distant and reluctant to take my camera to go out and shoot. The diagnosis was clear, therefore what I had to find out now were the reasons that had brought me there, in order to be able to revert them, and move ahead. Because I wanted to feel the excitement, the thrill, the enjoyment of photography again, did I not?

Empty afternoon, GM1 + Panasonic Leica 15mm

The board, GH3 + Lumix G X Vario 12-35mm

Was it boredom of the place where I lived, that had became stale after all that time wandering around it? Was it, perhaps, something else, a rooted tedium that had been quietly creeping inside my body for unknown reasons? Gear disillusion, maybe? I imagine they were a few factors coming into play at once, all draining me from the energy I had felt before towards photography (and relocating it who knows where); but I didn't feel anxious or even worried, and I didn't want to force myself to do something I didn't feel like doing, so, in the end, I decided I would simply go ahead with my daily life, without paying too much attention to it, and that I would wait for the right opportunity to slowly get back in track.

Preparations for the festival I, GH3 + Lumix G X Vario 12-35mm

Preparations for the festival II, GH3 + Lumix G X Vario 12-35mm

And that opportunity came a month later, when another photowalk organized by the local photography group was held, and I decided it was about time to go out and let the camera do all the talking, once more. And so I did. Without much eagerness, truth be told, but I went nevertheless, and it was an enjoyable afternoon as these gatherings usually are. But what about my photographs? Well, the best I can say is that they lacked soul, they were boring frames most of the times, perfectly balanced and exposed, technically acceptable, but totally forgettable. Nothing to grab even my own attention for a second time.

Preparations for the festival III, GH3 + Lumix G X Vario 12-35mm

Preparations for the festival IV, GH3 + Lumix G X Vario 12-35mm

The camera, mind you, was as uninspired as I was, and this should come as no surprise, but it helped me put things into perspective and think about the matter from another perspective: what was driving me to go out to photograph before? For whatever that was, it needed to come back in order for me to feel the photography itch again. And no, it was not new gear. Neither a trip far away. After all, it was something much more simple: the joy of discovery, of exploration, of creation, was somehow gone, and nothing from outside would bring it back. The only way of clearing off my eyes to let them see things as fresh rather than old again was within me, and it implied two things: courage to refuse stagnation, actively seeking for change, and energy to push myself forward.

The birth of a fighter I, GM1 + Panasonic Leica 15mm

The birth of a fighter II, GM1 + Panasonic Leica 15mm

On that moment I decided that, whenever a fork in the road would appear ahead of me, I would chose the winding one, not the straight. For practice, and struggle, and consistency at work are the only way s to avoid paralyzation, which is the most lethal virus against creativity. It would take time, I knew, and my pictures would probably continue being empty for a while, but as long as I kept trying, things would start working again. That's what I told myself. And then there would be no more endless words. There would be only steps, and shutter clicks.

The birth of a fighter III, GM1 + Panasonic Leica 15mm

The birth of a fighter IV, GM1 + Panasonic Leica 15mm

Saffron robes: Buddhist monks in Thailand

Thailand is a country where rooted traditions coexist with modern customs without any issues: they are proud of their culture and they strive to keep it and pass it on to future generations, while they also rapidly and gladly accept and incorporate the latest trends and habits to their everyday life. A short walk in any city of this country will let you find a fancy shopping center protected by a spirit house at the entrance, for instance. Mores and modernity hand by hand, because they believe that in order to advance, there is no need to leave the past behind, as we can carry it along with us, just adapting it to the times. And this is precisely what happens with the subject I wanna present today. 

Grey morning, saffron robes, GH3 + Lumix G X Vario 35-100mm

Crossing the bridge in Si Satchanalai I, GH3 + Lumix G X Vario 12-35mm 

Crossing the bridge in Si Satchanalai II, GH3 + Lumix G X Vario 12-35mm 

Somewhere in Isan, GM1 + Lumix G Vario 12-32mm

Collecting alms, GM1 + Lumix G Vario 12-32mm

Descending the stairs, GH3 + Lumix G X Vario 12-35mm

Feeding the herd, GM1 + Lumix G Vario 12-32mm

Being a Buddhist country, there are plenty of monks in Thailand, both mature and novice, and it's easy to spot them, specially in the mornings, when they leave their temples to collect alms through the streets. But the monks, as the rest of the Thai society, have also adapted themselves to the challenges of the postmodern, globalized world we live in, hence they can be seen performing tasks that many had deemed impossible just a few decades ago. If there is a lesson to learn from here is, simply, to find a balance between old and new in order to survive, keeping the essences intact but adapting the surface to the changing times.

Afternoon break, GH3 + Lumix G X Vario 12-35mm 

Withdraw or deposit?, GM1 + Lumix G Vario 12-32mm

Trying his mundane luck, GH3 + Lumix G X Vario 12-35mm 

Photo shoot, GH3 + Lumix G X Vario 12-35mm  

Holy selfie!, GH3 + Lumix G X Vario 12-35mm