APF Bangkok 4.0 workshop
1 A couple of years ago, as I was trying to get a bit more serious in my photographic development,
I joined my first workshop, held by the APF collective in Bangkok (see the chronicles of that
experience here). Fast forward 2 years and another workshop by APF was going to take place in
Bangkok again and, for several reasons (one of them being that I had been quite dormant in
photographic terms for the past year and a boost to my motivation and inspiration was needed), I
thought this would be a great opportunity for me to join them once more, since my previous
experience had been such an eye-opener. Same mentors, different theme, new colleagues to
meet: nothing could go wrong and, spoiling the final revelation, nothing did, tough in unexpected
ways, as I will explain below
A couple of years
ago, as I was trying to get a bit more serious in my photographic development, I joined my first
workshop, held by the APF collective in Bangkok (see the chronicles of that
experience here). Fast forward 2 years and another workshop by APF was going to
take place in Bangkok again and, for several reasons (one of them being that I
had been quite dormant in photographic terms for the past year and a boost to
my motivation and inspiration was needed), I thought this would be a great
opportunity for me to join them once more, since my previous experience had
been such an eye-opener. Same mentors, different theme, new colleagues to meet:
nothing could go wrong and, spoiling the final revelation, nothing did, tough
in unexpected ways, as I will explain below.
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Red world, GM1 + Panasonic Leica 15mm |
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Double mirror, GM1 + Panasonic Leica 15mm |
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Triple mirror, GM1 + Panasonic Leica 15mm |
Last
year was a transition for me in the photographic side of things, coming from 2
very active and rewarding years somehow I felt I had reached a plateau and
there was nothing ahead of me to keep me motivated like before. Had my skills
peaked? Had my inspiration faded? Had my enjoyment of photography abandoned me?
Or was it gear disinterest? Probably a bit of all those reasons came together
and, for the most part of a full year, my camera remained untouched, my blog
receiving less attention, my eyes losing their interest in their surroundings.
And then this workshop was announced; I must admit I had to fight with my own
laziness, but something inside me said I had to take this chance and end this
drought once and for all and, luckily, I did just that.
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Ice and clouds I, GM1 + Panasonic Leica 15mm |
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Ice and clouds II, GM1 + Panasonic Leica 15mm |
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Ice and clouds III, GM1 + Panasonic Leica 15mm |
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Ice and clouds IV, GM1 + Panasonic Leica 15mm |
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Ice and hands, GM1 + Panasonic Leica 15mm |
The workshop was labeled under the topic 'visual storytelling', or
photographic narrative, something that has always interested me as a link
between words and images, two different languages that bond together quite
well. I don't mean that images need captions or explanations to be
understandable (quite the opposite), or that images complement words adding
layers that would be otherwise impossible to explain: both languages are
completely independent, but a marriage of both where the two of them stay at
the same level is also possible, and this conjunction is what I have been
trying to do in this blog since the beginning: words that visualize, images
that speak, both autonomous yet coexisting together to show different sides of
the same reality. The theme of the workshop, therefore, couldn't have been more
appealing to me.
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Ice and clouds V, GM1 + Panasonic Leica 15mm |
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Ice and clouds VI, GM1 + Panasonic Leica 15mm |
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Ice and clouds VII, GM1 + Panasonic Leica 15mm |
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Ice and clouds VIII, GM1 + Panasonic Leica 15mm |
I
was unable to deliver what was requested from me in the different exercises the
workshop was structured around, however: I failed in my assignments and I
lacked focus and clarity of ideas, yet I didn't feel discouraged or scolded for
that anyway; at the contrary, these detours were necessary for me to understand
what was missing, and so the three mentors pointed it out for me, always with a
positive approach that really helped me see things with new eyes and with a
much needed perspective. All pride disappeared from me and there
were no ill feelings, regrets or self-indulgence left, only a sincere will to
listen, reflect and analyze remained. Probably that was the only way this could
have worked for me, because it slowly penetrated my conscience and shook off
the rust that I had been accumulating without noticing to the point of
paralyzing my desire to take pictures.
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Greasy transparency, GM1 + Panasonic Leica 15mm |
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Three legged, GM1 + Panasonic Leica 15mm |
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Three waiting, GM1 + Panasonic Leica 15mm |
Now,
after the workshop has ended and some time has passed, I can see very clearly
what I was lacking before, and what the workshop brought me back: I didn't
learn anything new (from a technical or theoretical point of view) nor my
pictures during those three days were specially memorable (much less than the
ones I took two years earlier, lacking definition and feeling), but I feel happy
nevertheless, because that was not the most important thing I could have
achieved that weekend, but something else: it helped me
remember why I like photography in the first place, it gave me a stimulus to go
back in track and recover all I had lost due to laziness and disillusion. What
a different experience this was! Despite not being able to create anything of
much value, I felt so excited and encouraged about photography once more, that
the material results didn't matter much and I was, once again, willing to go
out with my camera for the sole sake of taking pictures!
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Painting and reality I, GM1 + Panasonic Leica 15mm |
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Painting and reality II, GM1 + Panasonic Leica 15mm |
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Painting and reality III, GM1 + Panasonic Leica 15mm |
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Painting and reality IV, GM1 + Panasonic Leica 15mm |
APF gave me direction and focus, isn't that a more precious gift than
taking a handful of worthy images without enjoying the process? It definitely
is to me, and I'm sure the joy will eventually bring back the satisfaction
(along with the practice), and I'm eager to start walking the streets again to
recover what I had lost. For this I must thank everyone in the workshop,
without whom I would probably still be wandering in the mist.
Dear Gonzalo,
ReplyDeletethanks for sharing and your thought-provoking impulse.
I don`t think you will find something again because you never ever lost nothing in photography. .-)
Isn`t creativity (and Street Photography) grown through adversity and does`t it needs opposition?
I think you won the fight against your laziness and your missing inspiration.
Which is the biggest value you could get from this workshop.
And which hopefully will take me and other readers into future moments of your still unknown photographic journeys.
Cheers,
Ralph
P.S.
I love Double Mirror/Triple Mirrors - catching a moment with storytelling. Simple but really hard to catch.
Dear Ralph,
DeleteThank you for your long and affectionate words, it's a pleasure to have readers as encouraging as you! You are absolutely right, technicalities don't matter when you don't have the drive and the inspiration to begin with, so that was indeed the best lesson I took from the workshop: regaining lost energies and boosting my motivation, setting new goals and projects that I hope will bring me a bit further, one step at a time. If all goes well, the first stone of that path will be ready in a few months.
All the best!